The 1975 return with their new album, Being Funny In A Foreign Language. The band’s 5th studio album was written by Matthew Healy and George Daniel and recorded at Real World Studios in the UK and Electric Lady Studios in NYC. Formed in Manchester in 2002, The 1975 have established themselves as one of the defining bands of their generation with their distinctive aesthetic, ardent fanbase and unique sonic approach. The band was named NME's Band of The Decade and Best Group at the BRIT Awards.

Air Supply - Air Supply 50: The Greatest Hits - Vinyl

Air Supply is celebrating 50 historic years as a band with the release of Air Supply 50: The Greatest Hits. Having sold over 20 million records worldwide, and with five consecutive top five singles, this brand-new compilation is a testament to the dedication from both the band, as well as the millions of fans who have listened to Air Supply music over the past 50 years. This LP features the massive hits spanning across the band's storied career, including "All Out Of Love," and "Making Love Out Of Nothing At All," plus fan favorites, "Every Woman In The World," and "Chances."

BLACKPINK’s debut album on pink vinyl set to release on January 29, 2021.  The album includes features from Selena Gomez & Cardi B!

Newly remastered version of David’s 15th studio album.

Cigarettes After Sex return with their anticipated sophomore album - Cry via Partisan Records. Recorded during night time sessions in a mansion on the Spanish island of Mallorca, the album is a lush, cinematic meditation on the many complex facets of love - meeting, wanting, needing, losing...sometimes all at once. The album was self-produced and engineered by Greg Gonzalez, and mixed by Craig Silvey (Arcade Fire, Yeah Yeah Yeahs).

With $10 Cowboy, Charley Crockett didn’t set out to make a themed record. He had released a concept album in 2022, the critically acclaimed Man From Waco, propelling Crockett to new heights and establishing him as one of the leaders of a sparkling revival of traditional country and folk music.  

For the follow up album, Crockett wrote freely, over a two-month period, as he wound his way across the United States on the back of a tour bus. The resulting songs—raw, personal, vivid portraits of a country in transition—ended up being connected after all.

“This material is written at truck stops, it’s written at casinos, it’s written in the alleys behind the venues, it’s written in my truck parked up on South Congress in Austin,” explains Crockett. “A ramblin’ man like me, a genuine transient, is in a pretty damn good position to have something to say about America.”

As the album unfolds, you begin to understand that a $10 Cowboy is anyone who has hustled to get by, who didn’t fit in, who has slept on other people’s couches, or the street, who has fallen down, gotten up, and ventured from home chasing a paying gig, or a new start.

“Being out on the road gives you a first-hand experience of how different kinds of Americans see themselves as going through some kind of great struggle,” Crockett says. “The roughneck working the oil and natural gas fields in West Texas. The single mother raising kids by herself. The young man working a street corner because he thinks it's his only option. I would be dishonest if I said I couldn’t see the thread. Each of ‘em feel invisible. I am struck by the battles they are fighting internally, and the ways they have been entrapped by what America says they are.”

The album was recorded at Arlyn Studios in Austin, produced by Crockett and his long-time collaborator Billy Horton. It was recorded live to tape, with anywhere from 6-12 musicians and backup singers on each track, giving the songs the feel of a live performance. It’s a sound Crockett has been after for years. “Reason I cut it on tape is because when you got the right people in the room, and the great players rise to the occasion when that red light is on and the tape is rolling, you get the magic of a great performance.”

It's exactly what he achieved with $10 Cowboy. Regular bandmates Fox, Nathan Fleming, and Mayo Valdez are joined by some of the genre’s most talented players—Rich Brotherton, Kevin Smith, Dave LeRoy Biller, T. Jarrod Bonta and others, including a string quartet. Lauren Cervantes and Angela Miller sing on the album. While the musicianship and accompaniment are exquisite, they are also subtle, placed joyously, yet judiciously across the album.

No, Crockett didn’t set out to write a themed record. Or, through his studied eye, to find America. But with $10 Cowboy, he might have done both.

Djo – the critically acclaimed brainchild of multi-talented musician/actor Joe Keery – makes its long awaited return with the game-changing new album, DECIDE. A spellbinding collage of snaky pop hooks, neon melodies, and deeply personal singer-songwriter lyricism, the album melds high-tech songcraft with quick wit, irrepressible spirit, and an impressive breadth of vision that showcases glowing synths and big beats over the trippy guitars that defined 2019’s acclaimed debut, TWENTY TWENTY. Blissed-out bops like “Change” see Keery delving deep into a broad spectrum of eclectic influences, deconstructing hyperpop, euphoric psychedelia, spiky new wave, and symphonic 70’s rock into something utterly unique via dauntless melodies and technical innovation.

Twenty Twenty: Joe Keery, who you may also recognize from the show “Stranger Things,” began playing music in his teens after co-opting his sister’s guitar, but it was during his college years at DePaul University in Chicago that he formed his first band and began to seriously pursue music. That band was Post Animal, the heavy psych rock outfit that went on to release a self-titled EP and two subsequent albums via Polyvinyl. They also toured with artists like Twin Peaks, Wavves and Cage The Elephant and played a number of US festivals. In 2019, with no announcement or fanfare, Keery’s solo-project Djo was unveiled not with a single, but a lush, self-reflective, layered 12 track full-length album titled Twenty Twenty. “Joe Keery built a carnival. The resonance of each riff or beat is not new, but redesigned and reshaped into the beauty it is today. The face of psych or alternative mirrored through his own design, and it reveals a person who shouldn’t be underestimated,” said Rodeo Mag. Despite the album being released under the radar and without a label, fans found their way to it, and Twenty Twenty has now seen more than 200 million streams to date.

Originally released in 1994 following a 14 year-long break up, Hell Freezes Over celebrates its 25th anniversary with a remastered reissue. Long out of print on vinyl and never before released in the US on this format. The album has been remastered by Bob Ludwig and pressed on 2 x 180G LP’s. It contains four studio tracks and eleven tracks recorded live in April 1994 for MTV. Two Top 40 singles, "Get Over It" and "Love Will Keep Us Alive", were released from the record.

2017 debut EP from Billie Eilish, the girl W Magazine calls "Pop's Terrifying 15-Year-Old Prodigy". At age eleven, Billie began writing and singing her own songs, taking after her brother Finneas who was already performing his own songs with his band. "Ocean Eyes, " debut single under the name Billie Eilish, was released on SoundCloud in 2016 and became a viral hit. "Ocean Eyes" was released worldwide through Darkroom and Interscope Records on November 18, 2016 to positive critical reviews. Following the success of the "Ocean Eyes" remixes, Eilish released the single "Bellyache" on February 24, 2017. "Bellyache" was produced and co-written by Finneas O'Connell.

The Eminem Show is the fourth studio album by American rapper Eminem, released on May 28, 2002 by Shady Records, Aftermath Entertainment and Interscope Records. It was the best-selling album of 2002 in the United States, with sales of 7.6 million copies.[1] At the 2003 Grammy Awards it was nominated for Album of the Year and became Eminem's third LP in four years to win the award for Best Rap Album. On March 7, 2011, the album was certified ten-times-platinum by the Recording Industry Association of America, [2] making it Eminem's second album to receive a Diamond certification in the United States. since its release in 2002, the album sold 10, 500, 000 copies in the United States and more than 23 million copies worldwide. The Eminem Show is a reflective album, featuring Eminem's more personal and serious side. This change gives the album a lighter tone, a departure from his previous albums. One of the most noticeable changes is the generally lighter lyrical content